1.关于唐诗的英文鉴赏

李商隐的

这是一首专咏落花的唐诗。首联写落花与人的心情，含蓄蕴籍耐人寻味。颔联从不同角度描写落花“乱飞”的具体情状。颈联直接抒发情感，巴望花不再落而不能。末联写花为装点春天而开，却落得飘零沾衣的结局。表达了素怀壮志，不见用于世的凄婉和感慨。全诗洋溢着伤春惜花之感，情思如痴，委婉动人。

Li Shangyin

This is a special flower of the Tang Yong. The first written in conjunction with the flower's heart, subtle and intriguing Yun Ji. Maxillary joint from different angles describe Flower "flying" concrete-like situation. Neck joint direct expression of emotion, no longer look forward to spending can not be charged. Joint written at the end of spring flowers to decorate and open, but end up wandering Zhanyi ending. Huai-expressed determination to see the world of emotion and Qi Wan. Filled with a poem Shangchunxihua feeling, emotion, such as Chi, moving euphemism.

希望能够帮助到你吧！~

2.英文诗歌赏析

The furthest distance in the world 世界上最遥远的距离 Is not between life and death 不是生与死 But when I stand in front of you 而是 我就站在你面前 Yet you don't know that I love you 你却不知道我爱你 The furthest distance in the world 世界上最遥远的距离 Is not when I stand in front of you 不是 我就站在你面前 Yet you can't see my love 你却不知道我爱你 But when undoubtedly knowing the love from both 而是 明明知道彼此相爱 Yet cannot be together 却不能在一起 The furthest distance in the world 世界上最遥远的距离 Is not being apart while being in love 不是 明明知道彼此相爱 却不能在一起 But when painly cannot resist the yearning 而是 明明无法抵挡这股思念 Yet pretending you have never been in my heart 却还得故意装作丝毫没有把你放在心里 The furthest distance in the world 世界上最遥远的距离 Is not when painly cannot resist the yearning 不是 明明无法抵挡这股思念 yet pretending you have never been in my heart 却还得故意装作丝毫没有把你放在心里 but using one's indifferent heart 而是 用自己冷漠的心对爱你的人 To dig an uncrossable river For the one who loves you 掘了一条无法跨越的沟渠。

3.求这首英文古诗的鉴赏

dont know what others think but from my understanding the poem is saying that some think the would will in in "fire"(aka our desires) and some say "ice" (aka hate) but the writer says he "holds with those who favor fire" saying our own desires will lead us to our end, people in this world who want too much power and will ultilmently destroy themselves and us along with them. i dont realy get the "if it had to perish twice" part but he says he knows enough of HATE and our hate for each other will destroy us just as well as desire and it would "suffice". | Posted on 2007-11-07 | by a guest .: :. it appears to me that fire is a representation of the apocalypse and ice is that of industrialization. during the 1920s america was going through a lot as far as industrialized cities and i feel that frost saw a foreshadowing of a capitalized super power ending the world through its own factories. i actually have this topic as my own final paper in order to graduate from college this may. | Posted on 2007-09-01 | by a guest .: spellcheckd :. To me, the world is simple, you go by your wits, use your means, bend the rules, but still be contained by them. I tell you now the world isn't perfect, even on the your most horrible day of your life, your still living arent you? No need for true emos or goths, the world is fine with the pain it has, but pain shouldn't be ignored, it shoud be acknowledged, (misspelled that), use your mistake as guidance, life is as simple or complex as you take it. YOU may go by YOUR means of living it, as long as it doesn't hurt the ones you live with. You play a videogame all day? Your an adult? Who cares? yYou earn your pay and spend your days worth. The pain we cause this world is enough, do not scowl or shun idiocracy, do not be tempted by wrong, follow YOUR spirit. If you believe in a god, go ahead, do not justify your means of spirituality and faith over others though, teach the young, respect the old, and keep the world in a state that humanity can reconize that it made a difference, and see eons later that humanity was nothing with sin, eons into the millenia, we WILL reconize that our feats were not of flaws, humans are the greatest minds in the world, because we chose to excel, use your time, it only effects everyone who lives. My old friend, how have we grown so far apart? All motion is relative, perhaps you have moved away from me by standing still. | Posted on 2007-05-18 | by Free_Soviets。

4.英文诗词从哪些方面赏析

英文诗歌赏析技巧（转） Appreciation of English Poetry 诗以高度凝结的语言表达着人们的喜怒哀乐，用其特有的节奏与方式影响着人们的精神世界。

诗讲究联想，运用象征、比喻、拟人等各种修辞手法，形成了独特的语言艺术。 英诗浩如烟海，篇幅长短不一。

为使大家了解英诗，并能欣赏，请大家学习以下四个方面的内容：诗的格律、诗的押韵、诗的体式、诗的评判。 一、诗的格律 格律是是每个音步轻重音节排列的格式，也是朗读时轻重音的依据。

而音步是由重读音节和非重读音节构成的诗的分析单位。重读音节为扬（重），非重读音节为抑（轻），音步之间可用“/”隔开。

以下是五种常见格式： 1.抑扬格（轻重格）Iambus：是最常见的一种格式，每个音步由一个非重读音节加一个重读音节构成。 As fair / art thou / my bon/nie lass, So deep / in luve / am I : And I / will luve / thee still,/ my dear, Till a` / the seas / gang dry： 注： art=are thou=you luve=love thee[thou的宾格] bonnie=beautifl a`=all gang=go 上例中为四音步与三音步交叉。

2.扬抑格（重轻格）Trochee：每个音步由一个重读音节加一个非重读音节构成。 下例中为四音步扬抑格（少一个轻音节）。

Tiger!/ Tiger!/ burning / bright In the / forests / of the / night 3. 抑抑扬格（轻轻重格）Anapaestic foot： 每个音步由两个非重读音节加一个重读音节构成。如：三音步抑抑扬格 Like a child / from the womb, Like a ghost / from the tomb, I arise / and unbuild / it again. 4. 扬抑抑格（重轻轻格）Dactylic foot： 每个音步由一个重读音节加两个非重读音节构成。

如：两音步扬抑抑格 ˊTouch her not / scornfully， ˊThink of her / mournfully. 5.抑扬抑格（轻重轻格）Amphibrach：每个音步由一个非重读音节加一个重读音节再加一个非重读音节构成。如：三音步抑扬抑格） 下例中双音步为抑扬格。

O hush thee / my baby / thy sire was / a knight. 在同一首诗中常会出现不同的格律，格律解析对朗读诗歌有一定参考价值。现代诗中常不遵守规范的格律。

二、诗的押韵 押韵是指通过重复元音或辅音以达到一定音韵效果的诗歌写作手法。 1. 尾韵：最常见，最重要的押韵方式。

1） 联韵：aabb型。 I shot an arrow into the air, It fell to earth, I knew not where; For, so swiftly it flew, the sight Could not follow it in its flight. 2） 交叉韵：abab型。

Sunset and evening star, And one clear call for me! And may there be no moaning of the bar, When I put out to sea, 3）同韵：有的诗押韵，一韵到底，大多是在同一节诗中共用一个韵脚。如下例就共用/i:p/为韵脚。

The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. 2.头韵：是指一行（节）诗中几个词开头的辅音相同，形成押韵。下例中运用/f/、/b/与/s/头韵生动写出了船在海上轻快航行的景象。

The fair breeze blew, the white foam flew, The furrow followed free, We were the first that ever burst Into that silent sea. 3.内韵（同元音）：指词与词之间元音的重复形成的内部押韵。 下面一节诗中/i/及/iη/重复照应，呈现出一派欢乐祥和的气氛。

Spring, the sweet spring, is the year's pleasant king; Then blooms each thing, then maids dance in a ring, Cold doth not sting, the pretty birds do sing: Cuckoo, jug-jug, pu-we, to-witta-woo！ 三、诗的体式 有的诗分成几节（stanza），每节由若干诗行组成（每行诗均以大写字母开头）；有的诗则不分节。目前我们常见的诗体有： 1. 十四行诗 （Sonnet），源于中世纪民间抒情短诗，十三、十四世纪流行于意大利，意大利彼特拉克（Petrarch）为代表人物，每行十一个音节，全诗一节八行，加一节六行，韵脚用abba, abba, cdcdcd (cdecde)。

前八行提问，后六行回答。 后来，怀亚特（Thomas Wyatt,1503-1542）将十四行诗引人英国，五音步抑扬格，全诗三个四行一个二行，前三节提问，后二句结论。

斯宾塞（Edmund Spenser,1552-1599）用韵脚 abab, bcbc,cdcd,ee。莎士比亚（William Shakespeare,1564-1616）用韵脚abab,cdcd,dfdf,gg，称英国式或莎士比亚式。

Sonnet 60 Like as the waves make towards the pibbled shore, So do our minutes hasten to their end; Each changing place with that which goes before, In sequent toil all forwards do contend, Nativity, once in the main of light, Crawls to maturity, wherewith being crowned, Crooked eclipses against his glory fight, And time that gave doth now his gift confound. Time doth transfix the flourish set on youth And delves the parallels in beauty's brow, Feeds on the rarities but for his scythe to move. And nothing stands but for his scythe to move. And yet to times in hope my verse shall stand, Praising thy worth, despite his cruel hand. Notes: 1. pibbled : pebbled 铺着卵石的 2.In sequent toil all forwards do contend: Toiling and following each othe, the waves struggle to press forward. 波浪前推后涌，一。

5.请推荐中国古诗词优秀英译

Dear Draconius， 看到你回答真的太高兴了！但你遇到这样精彩的问题，你不应该姗姗来迟啊！在这里参与的朋友，除了你这位在翻译上我很认同的博士朋友之外，还有从事翻译理论研究的博士生导师，真是精英云集。

同你和其他朋友交流，看你们的精彩的回答，这是我对“爱问”情有独钟的地方。 作为一名精通多领域的翻译，我感到尽管有很多翻译公司，但翻译质量能够达到水准的却很少，有很多“南郭先生”、“蒋干”一类的人物和公司招摇撞骗，贻误客户。

我在这里可以借助很具体的翻译作品（并非漫无边际的吹嘘），了解朋友们的翻译水平和擅长领域，结交志同道合的朋友，一起从事翻译这个既擅长又热爱的事业。 希望今后多联系，多交流。

Dear Draconius， 你把原文的也提供出来了，我正在遗憾当时没有备份下来为朋友提供一份参考呢。我当时翻译有两个原因，一是译文的表达风格与原文豪迈、深沉的特点相差较大，我所说的钢琴急风骤雨的演奏"就是说译文的表达中要充满力度，你体会一下Brewett Taylor的译本，给人的语感很轻柔，如果赋曲演唱，那效果就同三国的词风格迥异。

现在我把我的翻译韵律特点说一下。 O so powerfully billowing,O so overwhelmingly surging， （表现力量） The east-oriented Yangtse River （力量变得深沉，显现空间跨度） What have carried away with spoondrift （语感快而疾，描述自然力） Just heros in their power。

（语感铿锵，升调，描述英雄的社会力） （The dispute of "True or False?"）( becomes nothing soon) (as well as question)( "Winner or Loser？") （语感快而疾，语速处理时按四块分，略有差别，要一气唤成） Still stands the mountain Which reamins green （江山依旧美好，自然方面，原本可以用一句翻译，但考虑整个词的语感同时强调一下分为两句） Many dynasties have fallen down forever。 （几个朝代已经更替，社会） Dear Draconius, Brewett Taylor语言水平是很高的，我很赞同。

除了上述文风差异之外，我们在这一点也能达成共识，译者没能很好地理解三国演义的特定历史背景。经典文学的翻译难度很高，我们不能太挑剔，我建议有好的作品，就拿出来与大家一起讨论，也可以寻找新的欣赏角度吗！ 与各位在一起交流，真是太愉快了，很高兴在此看到各显神通的朋友。

6.一篇很简单的英文诗歌鉴赏~高分

1. 这首诗两行已换韵，前两行押的是“ay”即day和play，后两行的green和clean则是“n”韵。

节奏：“Come,” said the sunshine to the grass one day是十个音节，而“Come out of the soil and we will play是九个音节。不过把第一句的to只读成t节律也就有了。

如果后一句如果改为For winter's gone and

the days grow warm 'd clean.”所有行就都变成九个音节了，读起来节奏更强。

7.著名的英文诗

埃德蒙·斯宾塞

Sonnet

十四行

Fresh spring the herald of loves mighty king,

新春啊，你这君临万方的爱神的先驱，

In whose cote armour richly are displayed

你的外衣富丽堂皇，展现出

All sorts of flowers the which on earth do spring

世间的繁花万朵，不胜枚举，

In goodly colours gloriously arrayed.

她那婀娜多姿的服装，耀人眼目。

Go to my love, Where she is carelesse laid,

找我的爱人去吧，她满不在乎，

Yet in her winters bowre:

她仍在她冬天的闺房里深睡不醒：

Tell her the joyous time will not be staid

告诉她：快乐的时光不会永驻，

Unlesse she do him by the forelock take,

除非她能把它牢牢地捏在手中；

Bid her therefore her selfe soon ready make,

嘱咐她要把一切的准备快快完成，

To wait on love amongst his lovely crew.

好去那一群丽人当中把爱神恭迎：

Where every one that misseth then her make,

谁若是还打动不了爱人的魂灵，

Shall be by him amercest with penance dew.

爱神就必定给他以应有的严惩。

Make hast therefore sweet love, whilest it is prime,

快抓住这甜蜜的爱，趁着青春时候，

For none can call againe the passed time.

青春一去难再，像是大海东流。

8.谁有著名的诗词（一定要全面）不要赏析翻译,只求全面,每首要有

元稹《离思》曾经沧海难为水，除却巫山不是云。

取次花丛懒回顾，半缘修道半缘君。黄仲则《绮怀》几回花下坐吹箫，银汉红墙入望遥。

似此星辰非昨夜，为谁风露中立宵。元好问《摸鱼儿》问世间情是何物，直教生死相许？天南地北双飞客，老翅几回寒暑。

欢乐趣，离别苦，就中更有痴儿女。君应有语，渺万里层云，千山暮雪，只影向谁去？ 横汾路，寂寞当年箫鼓，荒烟依旧平楚。

招魂楚些何嗟及，山鬼暗啼风雨。天也妒，未信与，莺儿燕子俱黄土。

千秋万古，为留待骚人，狂歌痛饮，来访雁邱处。杜牧《思旧游》十载飘然绳检外，樽前自献自为酬。

秋山春雨闲吟处，倚遍江南处处楼。罗邺《放鹧鸪》好倚青山与翠溪，刺桐毛竹待双栖。

花时迁客伤别离，莫向相思树上啼。姜夔《鹧鸪天》 元夕有所梦 肥水东流无尽期，当初不合种相思。

梦中未比丹青见，暗里忽惊山鸟啼。 春未绿，鬓先丝，人间别久不成悲。

谁教岁岁红莲夜，两处沉吟各自知。 《无题》李商隐相见时难别亦难，东风无力百花残。

春蚕到死丝方尽，蜡炬成灰泪始干。晓镜但愁云鬓改，夜吟应觉月光寒。

蓬山此去无多路，青鸟殷勤为探看。来是空言去绝踪，月斜楼上五更钟。

梦为远别啼难唤，书被催成墨未浓。蜡照半笼金翡翠，麝薰微度绣芙蓉。

刘郎已恨蓬山远，更隔蓬山一万重！昨夜星辰昨夜风，画楼西畔桂堂东。身无彩凤双飞翼，心有灵犀一点通。

隔座送钩春酒暖，分曹射覆蜡灯红。嗟余听鼓应官去，走马兰台类转蓬。

飒飒东风细雨来，芙蓉塘外有轻雷。金蟾啮锁烧香入，玉虎牵丝汲井回。

贾氏窥帘韩掾少，宓妃留枕魏王才。春心莫共花争发，一寸相思一寸灰！重帏深下莫愁堂，卧后清宵细细长。

神女生涯原是梦，小姑居处本无郎。风波不信菱枝弱，月露谁教桂叶香。

直道相思了无益，未妨惆怅是清狂。李商隐《巴山夜雨》君问归期未有期，巴山夜雨涨秋池。

何当共剪西窗烛，却话巴山夜雨时。温庭筠《城南子词》井底点灯深嘱伊，共君长行莫围棋。

琳珑骰子安红豆，透骨相思知不知。李煜《虞美人》 （春花秋月何时了 ） 春花秋月何时了？往事知多少。

小楼昨夜又东风，故国不堪回首月明中。 雕栏玉砌应犹在，只是朱颜改。

问君能有几多愁？恰似一江春水向东流。《相见欢》二首林花谢了春红，太匆匆，无奈朝来寒雨晚来风。

胭脂泪，相留醉（留人醉），几时重？自是人生长恨水长东。 无言独上西楼，月如钩，寂寞梧桐深院锁清秋。

剪不断，理还乱，是离愁，别是一般滋味在心头。 《钗头凤 陆游》红酥手，黄籘酒，满城春色宫墙柳。

东风恶，欢情薄，一怀愁绪，几年离索。错，错，错！ 春如旧，人空瘦，泪痕红浥鲛绡透。

桃花落，闲池阁，山盟虽在，锦书难托。莫，莫，莫！《钗头凤 唐婉》世情薄，人情恶，雨送黄昏花易落。

晓风乾，泪痕残，欲笺心事，独语斜栏。难，难，难！ 人成各，今非昨，病魂常似秋千索。

角声寒，夜阑珊，怕人寻问，咽泪装欢。瞒，瞒，瞒！ 《春情 折桂令》徐再思平生不会相思，才会相思，便害相思。

身似浮云，心如飞絮，气若游丝。空一缕馀香在此，盼千金游子何之。

证候来时，正是何时？灯半昏时，月半明时。《江城子》苏轼十年生死两茫茫，不思量， 自难忘。

千里孤坟，无处话凄凉。纵使相逢应不识，尘满面，鬓如霜。

夜来幽梦忽还乡，小轩窗，正梳妆。相顾无言，惟有泪千行。

料得年年肠断处，明月夜，短松冈。《鹊桥仙》秦观纤云弄巧，飞星传恨，银汉迢迢暗度。

金风玉露一相逢，便胜却人间无数。柔情似水，佳期如梦，忍顾雀桥归路。

两情若是久长时，又岂在朝朝暮暮。《上邪》上邪！ 我欲与君相知，长命无绝衰。

山无陵，江水为竭，冬雷震震，夏雨雪，天地合，乃敢与君绝！《题都城南庄》崔护去年今日此门中，人面桃花相映红。人面不知何处去，桃花依旧笑春风。

《玉楼春》晏殊绿杨芳草长亭路，年少抛人容易去。楼头残梦五更钟，花底离情三月雨。

无情不似多情苦。一寸还成千万缕。

天涯地角有穷时，只有相思无尽处。 《青玉案 元夕》辛弃疾 东风夜放花千树，更吹落，星如雨。

宝马雕车香满路。凤箫声动，玉壶光转，一夜鱼龙舞。

蛾儿雪柳黄金缕，笑语盈盈暗香去。众里寻他千百度，蓦然回首，那人却在，灯火阑珊处。

甫能炙得灯儿了，雨打梨花深闭门。名气不代表全部，古诗里我最喜欢罗邺的诗，可是罗邺名气却并不高。

因为人无法完全表达自己的感情，所以谁都不可能完全理解作者。诗在无法欣赏的人手上只是废品，除非你只追求名气的话。